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| Director's Biography | |||||||||
| Noah Nuer | |||||||||
| GET
A WAY
A SUNDAY AT BÉNERVILLE FREE WHEELING IT'S A LONG WAY DOWN WE HAVE THE MERIT OF EXISTING TURNING POINT 95 |
2001 1998 1997 1997 1997 1995 |
88 mins 4 mins 5 mins 8 mins 11 mins 37 mins |
Feature Short Short Short Short Documentary on Auschwitz |
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"Born in Canada, I moved to France when I was 3. Even though my passion for cinema started very young, I first went to business school to learn to build and manage projects, and to go through the fears that prevented me putting my dreams into action. |
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| The Goal is in the Path | |||||||||
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My studies led me to spend 5 months in Asia and 7 in New York. I studied hard but never lost touch with my passion: filmmaking. Finally I indulged… documentaries, advertisements, short movies. A few years of photography, editing, assisting and, of course, directing. In 1996, I founded my own production company: Baleine Sous Caillou Productions. |
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| March 1999: The Turning Point | |||||||||
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I
have always had a very close relationship with my parents, especially my
mother, a designer and facilitator of leadership development programs, who
supported and inspired me. In
March 1999, my world collapsed with her sudden death. Injustice, despair,
loss. A north star for me, and for so many others, is gone… Her work
cannot stop. Her team asks me to become their "orchestra
conductor" and to facilitate her personal mastery workshop… I had
never done it! I had to find, within myself, untapped resources. First
because I had no other choice, and most importantly, because I was not
doing it for myself… I have settled in San Francisco, and I'm traveling all around the United States, even to offshore oil platforms! I support senior management teams, academics, families, and teenagers with seminars, in-house training programs, coaching, etc. Despite a schedule like a dot.com startup executive, I never lose sight of my passion. . . making movies! |
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| A Challenge is Born | |||||||||
| In that context I decided to make my first feature film, against all odds. My different teams blocked off the maximum period of time. . . 6 weeks to prepare, shoot and edit a first draft in Paris. Needless to say we slept little and a myriad of film-threatening problems became surprising opportunities, but it was an incredible experience, far outside my working comfort zone and what I thought was possible." | |||||||||
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